By Amaryllis Ara










Cereus Villa is a queer Jamaican space where its community members live, work and gather as they wade through the waves of life. One evening at Cereus Villa’s weekly movie night, Max, Vim, Deen, and a few friends listen to Max share his abortion experience.
Amaryllis Ara (ze/zir/they/them) is a multimodal artist, researcher and facilitator from Yamaye. Ze is fond of rabbits, forests and being near the sea. Through an experimental practice, they acknowledge the queer body as a site of self and collective liberation. Decoloniality is at the root of zir concerns. Identifying recollection as a process of reclamation, Amaryllis pulls from foundations in visual storytelling, media production, somatic modalities, and critical theories of power, gender and queerness. They archive black queer perspectives through qualitative, arts-based methods fueled by memory and curiosity. Ara’s work is a union of research, critical fabulation, and emotional alchemy. Spirit is in everything they do. They challenge the oppressor within by learning more about zir own histories; unpacking the ways that we have been taught to learn, heal, play and be in relation. By applying the things learned from their lineages, this practice is the bridge where timelines come to merge. Vesta Cay and GATHERING Zine are two of Amaryllis’ most popular works.
An introduction to trans community healthcare by Dani Singer
A digital oil painting of trans care by Mercy Thokozane Minah
A soundscape of healing and restoration after loss by Jasmine Kahlia
Han Gunji’s illustration on radical health and healing using the metaphor of mutually beneficial flowers
Care Under Capitalism — the work of health and sex by S.N.H.
Peter Barham explores white supremacy’s dominating influence on madness.
Digital illustration by Hash Kankanamge/Softpunk exploring whether the spiritual components of transition healthcare are interlinked
A short story about the trans boating community by Vic Parsons with art by Kyle Alexander